Star Wars has always been a visual medium, so when the EU started going all-in in the early 90s, I was keener on
Dark Empire and the launch of the Dark Horse Comics run than the Thrawn trilogy of novels. It got pretty wacky pretty fast, and Cam Kennedy’s moody painterly art was always an odd choice to pair with Tom Veitch’s story, but at least it mattered how Palpatine returned.
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