Monday, 19 October 2026

My thoughts on the Vampires And Slayers miniatures

Crooked Dice, makers of the 7TV miniatures lines of absolutely not geek TV and film characters, having spent years in the 60s and especially the 70s and then advanced to the 80s with a couple of waves are now onto the late 90s after just one early 90s release. (I assume the 2000s will get one wave and the 2010s will be announced before they all come out.)

This new wave, Kickstarting soon, is Vampires And Slayers.

I was expecting something like this for a while now.

CD have a few designers with different styles. Some I really like, most of them leaning towards “true scale” with realistic proportions. (Like the official Buffy miniatures for the Unmatched skirmish game.) But others are in more traditional “heroic scale”, big heads and hands and dumpy bodies. These are “heroic scale”.

To the extent that they look like they're being viewed through a fisheye lens.

They probably look okay in actual barely an inch high size but, urgh, disappointed.

I wonder if you could edit the STL files to make them look more people-shaped.

Oh well. Saves me some money.

Violetta post-game thought

Since the Hunter: The Reckoning game was a miniseries we all went fairly broad with the characters. Connecting the idea of a spooky medium to the Hecata from Vampire: The Masquerade and Wednesday, playing her super deadpan and way too in-the-know, was a lot of fun but for an ongoing character I’d either:

A) Play it straight, fewer connections and jokes

or

B) Lean in even more, going with the Giovanni family name and an unedited appearance for reference

Depends on the game.

Sunday, 18 October 2026

Hunter: The Reckoning Portlandia session two

A cornered ghoul tries to talk his way out saying we should let him walk away and he won’t tell his masters:

“I’m sorry, just to be clear, are you threatening us?”

Visual references for the us being threatened:

Jenna Ortega as Wednesday
 
Jeffrey Dean Morgan as John Winchester in Supernatural


--

Freeing the trapped spirits of vampire victims, cleaned up after session version:

“The chain is broken! Those who wish to depart in peace are free to do so. Those who wish to act... are free to do so.”

Imagine a bass drop on the ellipsis, like when Lestat calls Claudia a very, very naughty little girl.

Big week

Three for three on weekly RPG sessions this week, and two for two on less than weekly ones, including the alternate Tuesday game being moved to the other alternate Tuesday for one night only. Now a bit socialisinged out, but in a good way.

Friday, 16 October 2026

Wednesday, 14 October 2026

A L I E N - RUN RABBIT RUN 1,02

Dean made her first Panic roll of the game on finding an animal testing subject in the vents.

VisionQuest

VisionQuest opens with a flashback explanation and then a massive location caption saying EDINBURGH.


So off to a good start.

Winnie-the-Pooh at 100

Like the acres in the wood!

Tuesday, 13 October 2026

Hell House LLC II and III

31 Days Of Horror Movies 2026

13 is “hotel horror” and Shudder has the Hell House LLC series, of which I previously saw the first but Evan at Rocklin Graves says the fourth is good, so... kind of trudged through the second and third parts to get there.

13.
Hell House LLC II: The Abaddon Hotel (2018)

Hell House LLC III: Lake Of Fire (2019)

Hell House LLC (2015) is a pretty basic found footage horror with the format twist that the poor fools going into the scary place are there to use it as the location for a haunted attraction. So is the creepy stuff we glimpse really creepy or pretend creepy in-setting?

And the opening moment, news reports and a customer YouTube video showing the crowd going through turning into a stampede to get out works really well.

Apparently the director’s cut adds more trilogy-related context but the original cut is less on the nose so I rewatched it. And then II and III are pretty damn on the nose.

II would have been enough to get me stop without the promise of a better future instalment. A much more normal “go and look at the place we know is meant to be scary” found footage, that ends with a big theatrical villain monologue which explains lore best left vague. It also shows just how much the found footage format relies on acting as a couple of the performances let it down badly.

III swings back to the “use scary place for haunted attraction” setup of the original, with an immersive theatre show instead of a straight haunt, run by an eccentric genius who is also apparently one of the richest people in the world (this does not reflect my experience of the finances of immersive theatre companies) and carries along until an ending that certainly surprised me. It mostly struck me as funny and left me with some questions, both mythological and practical (does it apply to the victims in II who don’t get much of a mention?) but points for trying.

Will I watch the fourth after all this? Later, I guess.

The medium: Shudder

Gameability: Like a lot of found footage filming, haunted attractions and especially immersive theatre, this could easily become a LARP, and at times really feels like watching a recording of one.

Ten Thirteen

Happy 65th birthday to Fox Mulder, and happy series order announcement for the new take on The X Files from Ryan Coogler.

Monday, 12 October 2026

Vampire: Empire 2026 2

Vampire: The Masquerade fifth edition
Empire

2. Release

Daisy, Toreador jazz singer and club owner
Silas, Ventrue enforcer
Jesse, Tremere phlebotomist and Circulatory System supplier
Emmet, Hecata researcher
Echo, Malkavian fortune teller

Jesse manages to extract some blood from Marcel, the vampire in frenzy since he ingested the drug through a victim. Echo is able to get a scent of the chemicals involved, and would be able to sniff out users.

Jesse brings the blood to his lab, analysis will take some time.

They confirm Echo can scent users with a visit to the Rooftop, the club on the Rack where Marcel hunted. They’re able to find a dealer, and Daisy charms him into arranging a meeting with his source, “the Professor”, the following evening.

Jesse compares the blood sample to the drug - it’s designed to excite and agitate human users... and one of its ingredients is a trace of Kindred vitae.

Meeting the Professor at one of the coffee shops in Grand Central Station the following evening, they talk their way into seeing the factory.

Daisy and Silas meet the Professor’s bodyguard at a long-closed video store. Echo, Emmet and Jesse observe outside, close enough for a signal.

Colette calls Silas’s phone as they approach to warn Daisy that this is where she meets Dane, and that they have to help “the woman in the chair”.

The Professor leads them in, and down to a basement.

Inside, strapped to something like a dentist’s chair, is what looks like a young woman totally drained of blood - but still moving.

“You wanted to know our secret ingredient.” The Professor locks them in.
The old edition is dying, and the new edition struggles to be born: now is the time of grognards.

Sunday, 11 October 2026

Resident Evil (2026)

Resident Evil (2026) from co-writer and director Zach Cregger (Barbarian, Weapons) gives us as regular-person a view of a zombie apocalypse as Shaun Of The Dead, as medical courier and mostly good person Bryan (Austin Abrams) tries to get something important to a city being taken over by a mutagenic virus. He notably lacks the not-SWAT training of the original game heroes or the super-soldier-y of the previous film series hero Alice, so he makes mostly understandable decisions, humane as well as sensible ones, and gets into all sorts of the trouble as a result.

It escalates rather than taking swings with twists like Cregger’s previous films, stays close to Bryan’s perspective and sometimes his direct POV, and the first zombie is a great reminder of just how scary one zombie can be, especially when you don’t have the relevant context.

It mostly lifts monsters from the game rather than gameplay, though there is a (quite reasonable) search for ammo and a recurring gag about padlocks.

Heavy on the splatstick and other humour, I had a lot of fun with it, and I can see why people are saying Cregger would make a good non-serious Evil Dead movie, even without the bit where Bryan’s in a rustic cabin and the camera swings around for a closeup of a shotgun.

Only two really horrific moments, involving children, and those both land on a gag as well.

And I can include this in 31 Days Of Horror, somewhere.

The medium: The cinema!

Gameability: Yes.

Saturday, 10 October 2026

Send Help (2026)

31 Days Of Horror Movies 2026

Prompt 10 is “Trouble In Paradise” which could be about relationship difficulties but is a bit much three days after Bloody Bride, or considering horror could also be about a war on heaven. Or, hey, bad things happening (and interpersonal issues) on a remote tropical island:

Send Help (2026)

Brilliant but slovenly company cog Linda is passed up for a promised promotion by the former CEO by his son and heir, he reluctantly brings her on a business trip because she’s actually useful unlike the frat brother he gave her job to, and then the plane crashes...

Sam Raimi comes home to horror and yes we get some running POV shots, some Extreme Close-ups, some eye-gouging and quite a bit of unpleasant stuff getting flung in various character’s faces. But this is mostly about two characters getting along very badly. Sympathies shift along the way - if you want someone to really root for this not your show. But I laughed quite a bit, including a genuine roar at one point.

The medium: Disney+

Gameability: Generally this strong a PC v PC agenda base is reserved for one-shots.

Mage: The Ascension - Sunrise City

We concluded the Victorian Age time travel miniseries and normal service may resume shortly.

It was touch and go but Cara managed to avoid having to become Queen of California.

Friday, 9 October 2026

The New Mutants

31 Days Of Horror Movies 2026

Film 7 but entry 9, “PG-13” - wow, I have a lot of recent options, but have seen most of them. Mostly 15s here, some 12s.

(I will get to 7 and 8 with streaming trials.)

The New Mutants (2018-20)

An X-Men movie-verse spinoff with no recurring characters, mixing its superheroic zapping with a horror-tinged story taken from the comic.

Some newly-empowered mutants who all have tragic backstories are being trained / imprisoned in a dingy old hospital, and now having mostly backstory-related nightmares that start to affect them physically. In the meantime they have some understandable YA issues, do some The Breakfast Club stuff unsurprisingly, and make existing fans wonder why Illyana has Kitty Pryde’s sidekick dragon as a hand puppet and is being so racist.

An outright horror with superhuman characters in danger is an interesting take, but does the tone mix work? Not really, no.

Not helped by some choices like the TV showing Buffy, where this does work, including an episode which draws immediate comparison to a much less scary monster design used here.

The medium: Disney+

Gameability: The trick would be balancing the horror stuff and the heroic stuff so it takes a while to get to the big zappy final battle.

Jac Schaeffer's Stargate?

Amazon looking at Stargate again, this time with an outside group headed by Jac Schaffer of WandaVision and Agatha All Along. Which I like a great deal, as you may know. And she can certainly do a small cast going through portals to unfamiliar places and having adventures and snarking at each other.

Star Wars D&D and a campaign book

From New York Comic-Con, news of a Star Wars D&D rulebook and the preview of the campaign book Tyro Squadron Adventures

Yes you’re playing Rebels.


First thought: Darth Vader’s right there. Ever seen an RPG cover with a bunch of characters doing heroic poses and thought “They’re all gonna die next round” because of who they’re up against?

Oh well, at least it isn’t the FFG system.

Thursday, 8 October 2026

Possession (1981)

31 Days Of Horror Movies 2026

Prompt 8 is Sam Neill. He was in a lot of genre stuff through his career. And I’ve seen almost all of them! But this is one that always sounded like not my kind of thing. So here goes.

8.
Possession (1981)
Trailer which shows the big reveal but with a lack of context

Neill plays Mark, who has been away from his Berlin-based family a bit too long for work, an assignment of some kind of espionage - this isn’t important until it becomes so again at the end. His wife Anna (Isabelle Adjani) has been seeing someone else while he was away. Mark spirals, considers cutting all ties with Anna and their son Bob, then sees she’s neglecting Bob and tries to sort things out, meets the supposed lover, Heinrich (Heinz Bennent) and learns that she moved on from him. He has a detective follow her, and finds she has another apartment. And inside is...